25 March>30 March 2014
The gesture seems to be always the same, more or less close and repeated depending on the desired black. The deaf light of the image through this application (in both senses) which materializes the breathing of the artist’s work in this process. Manigaud is emphasizing the image (far away from the hyperrealism where the artist hand may adjust to replicate the finest detail) to looking forward to the single most accurate representation possible to the original. It’s only to approach closer to his work to see how Manigaud impresses but does not draw the sheet.
What a subject ? Images origins ? Archives exhumed by the artist, oversized, they resume their right to say what they show, wildly topical.
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